I’d hate to see that remain my only game score gig. Alan Wake was the first from the gaming field, and I enjoyed the experience very much. There have been sound library projects, music bank stuff, literally everything one can imagine. Alan Wake is probably the only one heard all over the world, whilst the others have been territorial, or local (Finnish). Petri Alanko: Well, due to my background as a hired gun and specializing in combining electronics with orchestral colours, I’ve done quite a few one-off gigs for advertising agencies – but nothing very specific, though. The Feed: For your new listeners, please tell us a bit about yourself and some of the other projects beyond Alan Wake which you have scored for? Click and come inside to see if your question made the cut. While The Feed wasn’t suffering from writer’s block like Alan Wake, we didn’t want to spend time alone around Cauldron Lake either, so The Feed abducted a few readers to help with interviewing Alanko. This being Alanko’s first foray into the videogame music realm, we wanted to find out what his music background is and what inspired him in the creation of the aural atmosphere of Alan Wake. The Feed recently caught up with composer Petri Alanko to talk about his soundtrack for Alan Wake. ![]() An interview concerning Alan Wake Soundtrack by (Rick Damigella)
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